W.A.Mozart: Concerto arias

Unionska Hall, Maribor
friday, march 2 2012 at 19.30
Kulturni dom – Gledališka in koncertna dvorana Lendava
saturday, march 3 2012 at 19.30
Slovenska filharmonija, Marjana Kozina Hall
sunday, march 4 2012 at 19.30

CHAMBER ORCHETRA FESTINE

conductor Živa Ploj Peršuh
Sabina Cvilak soprano

Wolfgang Amadeus Mozart: Koncertna arija »Alma grande e nobil core«, KV 578
Wolfgang Amadeus Mozart: Recitativ in arija grofice iz opere Figarova svatba »E Susanna non vien! Dove sono«, KV 492
Wolfgang Amadeus Mozart: Koncertna arija (scena in rondo) »Ch’io mi scordi di te – non temer«, KV 505
Wolfgang Amadeus Mozart: Simfonija št. 40 v g-molu, KV 550

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Concert Review: Rosenblatt Recitals presents Soprano Sabina Cvilak 09/12/2011

…In her recent performances of Britten’s War Requiem, she received rave reviews, such as from Classical Source who described her voice as “floating effortlessly above [the chorus] as she sang”, and the New York Times who said that “Cvilak brought a lustrous soprano voice and guileless sincerity to her singing.” Indeed, it was the dual qualities of an effortless, floating upper register and sincere, idiomatic characterisation which defined her performance…
…Allerseelen, was gracefully performed by Cvilak, with the beautiful melody stunningly sung. Cvilak’s performance was truly moving, and without a doubt one of the best interpretations of this song I have heard. InZueignung, Cvilak gave a commanding performance, with a stunning fortissimo A5 towards the end. Her beautiful phrasing in Morgen was a delight to hear, her voice seeming to float effortlessly on the breath…

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Ciciban meets Suor Angelica / Rosenblatt Recital, Sabina Cvilak + Iain Burnside / St John Smith Square – 7 December 2011

“Cvilak had no issues filling the space with her beautiful and clearly projected voice. She is a really interesting case, a singer with a very lyrical voice but with an almost chilly timbre. Her approach was lyrical and very tender. Her unforced delivery was endearing and convincing. Can’t imagine a single person in the audience didn’t enjoy the recital. Looking forward to hopefully seeing her in fully staged opera in the coming years and what other roles she will tackle…..”
George’s Musings

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